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| - | Application text for <5k grant: | + | Application text for <£5k grant: |
| - | 1] working title: exquisite_code | + | ** |
| + | 1] working title: exquisite_code** | ||
| - | 2] 50 word description: | + | **2] 50 word description: |
| - | exquisite_code interrogates notions of read/run in a radical experiment hothousing a collaborative novel. Participants work 8 hours/day for 5 days generating text-prompts, | + | exquisite_code interrogates notions of read/ |
| + | |||
| + | ** | ||
| + | 3] 1000 word description, | ||
| - | 3] 1000 word description, | ||
| **1 You and your work** | **1 You and your work** | ||
| Line 13: | Line 16: | ||
| // | // | ||
| - | exquisite_code interrogates notions of read/run in a radical experiment hothousing a collaborative novel to be published using Mute's print-on-demand services. | + | exquisite_code interrogates notions of read/ |
| 8/9 writers will work relentlessly eight hours daily for five days, in an event hosted by E:vent Gallery in London' | 8/9 writers will work relentlessly eight hours daily for five days, in an event hosted by E:vent Gallery in London' | ||
| - | Text chunks will be produced, written over six minute sessions in response to a set of prompts generated by participants at the beginning of each day. | + | Text chunks will be produced |
| - | At the end of each six minutes bespoke and reconfigurable edit-software will worm through the chunks, adding to the text repository to elaborate the exquisite_code life novel. | + | At the end of each six minutes, bespoke and reconfigurable edit-software will worm through the chunks, adding to the text repository to elaborate the exquisite_code life novel. |
| - | The edit-software is interrogated and re-written in scheduled code writing sprints by participants, | + | The edit-software is interrogated and re-written in scheduled code writing sprints by participants, |
| - | The event will culminate in a final night launch of the novel and will include performances/ | + | The project |
| Publication of all code, prompts and text making the novel will be by way of print-on-demand publication in collaboration with Mute. | Publication of all code, prompts and text making the novel will be by way of print-on-demand publication in collaboration with Mute. | ||
| Line 29: | Line 32: | ||
| // | // | ||
| - | The project continues recent work with xxxxx [http:// | + | The project continues recent work with xxxxx [http:// |
| - | Such a theatrical design premise will create speculative, | + | Such a theatrical design premise will create |
| A range of participants have been invited, including: | A range of participants have been invited, including: | ||
| - | Pippa Buchanan[de/aus] writer/ | + | Pippa Buchanan[DE/AUS] writer/ |
| Leif Elggren [SWE], | Leif Elggren [SWE], | ||
| - | Dave Griffiths [uk/be] writer/ | + | Dave Griffiths [UK/BE] writer/ |
| Stewart Home [UK], writer/ | Stewart Home [UK], writer/ | ||
| - | Brendan Howell [US/ | + | Brendan Howell [US/ |
| Jonathan Kemp [UK], writer/ | Jonathan Kemp [UK], writer/ | ||
| - | Olga Panades Massanet [uk/es] writer/ | + | Olga Panades Massanet [UK/ES] writer/ |
| - | Eleanora Oreggia [it] writer/ | + | Eleanora Oreggia [IT/NL] writer/ |
| - | Sabrina Small [US], writer | + | Sabrina Small [US], writer/artist http:// |
| A technical manager/ | A technical manager/ | ||
| + | |||
| | | ||
| Line 60: | Line 64: | ||
| - | All materials will be on live display at all times via projectors and a crt monitor, and all writers will be available for public scrutiny interrogation and interaction. | + | **exquisite-code** will attract a mixed audience given that its concerns are not totally defined within the terms of new media art, with the remit of the project playfully inviting a diverse public interested in art, computational and literary domains. |
| Hardcopy will also be available for inspection as it is to be continuously extruded by line printers. | Hardcopy will also be available for inspection as it is to be continuously extruded by line printers. | ||
| - | The event will culminate in a final night launch, with extracts of the novel presented to the public through human-machine readings, performances and detournments | + | The event will culminate in a final night launch, with extracts of the novel presented to the public through human-machine readings, performances and detournements |
| + | |||
| + | Subsequent publication of all code, prompts and text components of the novel will be by way of the print-on-demand publication with Mute, to create an important legacy to further debate within a wider context. | ||
| - | Publication of all code, prompts and text making the novel will be by way of print-on-demand publication in collaboration with Mute. | ||
| - | Information and publicity leading up to the event and about the release of the book will be distributed across various online newsgroups and litservs, promoted from the dedicated website, http:// | ||
| **3 Making it happen** | **3 Making it happen** | ||
| Line 74: | Line 78: | ||
| Participants have been identified and invited; discussions and an agreement has been made with E:vent Gallery to host the event and launch. Simon Worthington of Mute has been very keen to support the event and discussions on implementing the print-on-demand (pod) technology are ongoing, with the possibility of an instant publication via an on-site pod station being actively pursued. A dedicated website has been set up both for disseminating project information and, in part, for use as a text dump for the event, and for which convergence with the available Mute templates for the pod publication is being implemented. | Participants have been identified and invited; discussions and an agreement has been made with E:vent Gallery to host the event and launch. Simon Worthington of Mute has been very keen to support the event and discussions on implementing the print-on-demand (pod) technology are ongoing, with the possibility of an instant publication via an on-site pod station being actively pursued. A dedicated website has been set up both for disseminating project information and, in part, for use as a text dump for the event, and for which convergence with the available Mute templates for the pod publication is being implemented. | ||
| - | An organisational wiki has been established for use by all those involved. | + | Information |
| + | |||
| + | Furthermore an organisational wiki has been established for use by all those involved. | ||
| This event follows on from previously acclaimed work including the xxxxx season of nine events as a part of node.London in March 2006 http:// | This event follows on from previously acclaimed work including the xxxxx season of nine events as a part of node.London in March 2006 http:// | ||
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| 4 Finance** | 4 Finance** | ||
| - | The proposed budget has been kept low by the agreement of all participants to arrange their own accommodation for the duration of the event. This in-kind financing has greatly helped keep the budget on-target for <£5k. This allows for an adequate subsistence payment (£25/day) and a nominal fee of £250 (£50/day) for the ten participants (nine artists and one co-ordinator/ | + | The proposed budget has been kept low by the agreement of all participants to arrange their own accommodation for the duration of the event. This in-kind financing has greatly helped keep the budget on-target for <£5k. This allows for an adequate subsistence payment (£25/day) and a nominal fee of £250 (£50/day) for the ten participants (nine artists and one co-ordinator/ |
| Budgets and accounts will be available for scrutiny on the organisational wiki and all receipts will be kept and available for audit as required. | Budgets and accounts will be available for scrutiny on the organisational wiki and all receipts will be kept and available for audit as required. | ||
| Line 91: | Line 97: | ||
| Evaluation will take the form of monitoring three identifiable staging posts within the projects development: | Evaluation will take the form of monitoring three identifiable staging posts within the projects development: | ||
| - | a) the projects marketing and publicity campaign is widespread and effective | + | a) that the projects marketing and publicity campaign is widespread and effective |
| - | Criteria: significant project presence registered online listings and to include | + | Criteria: significant project presence registered |
| - | b) the project' | + | b) that the project' |
| Criteria: that the projects described aims and their means of production are in place, the event is executed successfully and delivers all described outcomes, including a well attended launch event | Criteria: that the projects described aims and their means of production are in place, the event is executed successfully and delivers all described outcomes, including a well attended launch event | ||
| - | c) completion and distribution of publication within | + | c) that completion and distribution of publication |
| - | Criteria: that publication quality, design and layout | + | Criteria: that publication quality, design and layout are determined |